{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arizona.aviaryplatform.com/iiif/v97zk5756z/manifest","type":"Manifest","label":{"en":["Border Narratives: Lawrence Brown III"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/038/original/university-libraries-logo-2x.png?1711560609","metadata":[{"label":{"en":["Source"]},"value":{"en":["Reclaiming the Border Narrative collection, MS 789"]}},{"label":{"en":["Relation"]},"value":{"en":["Rooted In Rights-Disability Rights Washington (is part of)"]}},{"label":{"en":["Agent"]},"value":{"en":["Disability Rights Washington, Rooted in Rights (creator)","Arizona Center for Disability Law (creator)","Brown, Lawrence III (interviewee)"]}},{"label":{"en":["Date"]},"value":{"en":["2022-11-29 (creation)"]}},{"label":{"en":["Coverage"]},"value":{"en":["Texas--El Paso (spatial)","Washington (D.C.) 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The user agrees to indemnify and hold harmless the Arizona Board of Regents for the University of Arizona, its officers, employees, and agents from and against all claims made by any person asserting that he or she is an owner of copyright.\u003c/p\u003e"]}},{"label":{"en":["Identifier"]},"value":{"en":["azu_2023.025_RBNDisability_BD001_Lawrence_FINAL_ENGLISH_ASL_OPENCAPS.mp4 (uid)","Lawrence_FINAL_ENGLISH_ASL_OPENCAPS.mp4 (local)"]}},{"label":{"en":["Subject"]},"value":{"en":["Mexican-American Border Region","Musicians","Blind","Black Americans--Mexican-American Border Region","Mexican Americans","Border security--Social aspects"]}},{"label":{"en":["Type"]},"value":{"en":["Moving Image"]}}],"summary":{"en":["\u003cp\u003eProfile of Lawrence Brown III, a musician that self-identifies as a blind Mexican-American and Black American. Recorded in English. 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Stories of people with disabilities living at the US-Mexico border.  A montage of arid landscapes and cities. Next, a man is interviewed remotely against a map background.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=0.0,11.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"LAWRENCE BROWN III: My name is Lawrence Brown the third and I am from El Paso, Texas. I am Mexican American but I'm also Black American. I am blind.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=12.0,23.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"NARRATOR: Lawrence plays a drum kit beside a keyboardist.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=24.0,25.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"LAWRENCE BROWN III: I've been a professional musician for my entire adult life. It's the first job I ever had and it's the longest running job I've ever had. Right now I'm working at the University of Texas at El Paso with the dance department playing traditional Afro Cuban rhythms.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=26.0,43.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"NARRATOR: Lawrence in a two piece suit with his guide dog. He prepares for a concert.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=44.0,47.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"LAWRENCE BROWN III: I have my own project, it's called the Vitruvian Project and that's a hip hop project. My dad's a big hip hop head and I always grew up listening to a lot of hip hop.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=48.0,57.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"NARRATOR: An aerial view of El Paso at sunset. Mountains loom in the arid landscape behind.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=58.0,61.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"LAWRENCE BROWN III: El Paso is the pass. It was the way that the Spanish found to get through these mountains, which are Franklin Mountains and they needed to get into what is now New Mexico.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=62.0,74.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"NARRATOR: A monochromatic map of North America zooms in to show a red border line between El Paso and neighboring Juarez.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=75.0,80.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"LAWRENCE BROWN III: In a lot of ways, in El Paso you have this wonderful community feeling and then at the border, you have all the worst and most ugly sentiments that have kind of plagued this country from its outset. It's just a different little mutation.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=81.0,96.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"NARRATOR: Cars file through a border crossing.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=97.0,98.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"LAWRENCE BROWN III: With my disability, I cannot make eye contact and my eyes are roam around. When I pull up to the customs and border patrol people I try to have my cane out even though I'm sitting in a car and I won't be using my cane at all. So that then maybe they'll see it and get the hint that I'm blind 'cause if not, you know, if I'm the one handing off the passports, it's not going to be a regular sort of a handoff. It might look like I'm drunk or it might look like this or that, you know, and I've gotten a lot of comments like, had had a long night or had a rough day or had a, you know, and it's like, no, I'm just blind. And then once they asked you for the documentation, then you've got to be prepared for whatever they're gonna throw at you. You know, I own a car. I'm a drummer, so I have to carry a lot of equipment around, so I'll have somebody who drive me. And you know, the inevitable question is, whose car is this? You know, it's like, it's my car. Well, why is he driving? Because I'm blind.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=99.0,153.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"NARRATOR: A bridge separating El Paso and Juarez at the border.  The experiences that happen at the bridge, if you're in a car and the occupants of that car are multiracial or they don't fit into the typical family mold of what is being profiled, reminded me of reading about the Jim Crow experiences that so many had in the South, and knowing that my my father's family had those sorts of experiences coming from Louisiana into Mississippi into Texas. You have, you know, one class of people dismissing another class of people based on the color of their skin. So if you don't fit into, well everybody in the car is white, or everybody in the car is brown or everybody in the car is black or everybody then they immediately assume that you're up to no good. A sign at the border reads \"Have your documents ready.\"","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=154.0,205.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"LAWRENCE BROWN III: It's a tough situation to talk about because it seems like if you don't want your mind to be changed, it's not going to be changed.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=206.0,215.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"NARRATOR: Lawrence playing drums and singing with his band in a small club.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=216.0,221.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"LAWRENCE BROWN III: I hope that the future narrative is that the narrative becomes the narrative of everyday life. Not the narrative of the media, but the narrative of a life where, you know, there might be a festival going on in Juarez, so we go and we check that out and then we spend some money over there and then we come back and we do our thing here. We work, we make connections. The narrative of a situation where students can come to school here and get a better education. And that that's a good thing.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=222.0,256.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"NARRATOR: An aerial shot of El Paso at dusk. City lights glowing beneath a dark pink sky.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=257.0,260.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"LAWRENCE BROWN III: I want people to know that without the joint economies of the two cities, this area would be destitute. We wouldn't have the money that we have, we wouldn't have the prosperity that we have.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=261.0,273.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"NARRATOR: Crowds of people crossing a fenced in Bridge.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=274.0,275.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"LAWRENCE BROWN III: Just because we're not represented doesn't mean that we're not going to have an increasing space in the narrative of this country and in the narrative of this world as we become more globalized. The love of family and the love of taking care of one another, those are things that we hold really dear in the culture here and I think that's why we're one of the safest cities in the country. If we want to have hope in the American nation as a whole, we need to look to our border towns to learn what we're doing wrong and maybe learn a little bit about what's going right.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=276.0,320.999"},{"id":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332/transcript/65471/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"NARRATOR: Border Narratives. Produced by Arizona Center for Disability Law and Rooted in Rights. Funding by Borealis Philanthropy.","format":"text/plain"},"target":"https://arizona.aviaryplatform.com/collections/2546/collection_resources/115547/file/219332#t=321.0,323.0"}]}]}]}